Sunshine Blogger Award

I have been nominated for the Sunshine Blogger Award by Living Like Lexie. Lexie has a wonderful blog filled with photography, living life in a big city, and a bit of her personal life as she experiences it all. I've enjoyed reading her blog since I started blogging last year. Lexie had some questions for …

Why Research Is Important For A Fiction Writer

Fabulous! Very helpful information!!
-Grabbety

The Perfectly Imperfect Bunch

So you have the title, the plot,  the names of the characters and you’re furiously writing down that one story that you always wanted to write – the murder mystery in the Alps… but wait, you don’t even know what the Alps look like!

Bummer!

You research through the ubiquitous-online-hoard-of-information – Google – about the beautiful mountain range that has inspired poetry, prose and art for so many years, and then realise that there’s quite a lot you don’t know about the Alps, except that they’re in Europe. Then you come to realise that you will need to decide a place where the murder takes place (like a city or a town or a hovel), you need a map that shows you the major roads and the most important landmarks in that city/town/hovel (because you’d like readers to feel like they are in the Alps), you need to know the…

View original post 1,160 more words

Killing Floor

So many times I’ve failed, my life’s flown off the rails, and I found myself in hell, surviving the killing floor, rising up through the gore, I never thought I’d endure, but somehow I made it through, and I did it without you, regret, my only deja vu, I’ve failed so much before, what the …

How to Construe and Convey Tone in Poetry

Great information!
-Grabbety

First Edition Design Publishing - a hybrid publisher

In literature, tone is the mood, attitude, or emotional sensibility of a written work. In poetry, tone expresses the narrator’s disposition toward the poem’s subject, the reader, or the narrative itself.

We might describe a poem’s tone as irreverent, relaxed, sarcastic, solemn, jubilant, or desperate. Tone can be any emotion or state of mind, and a single poem can include a combination of tones.

When we’re speaking, our tone is expressed through inflection. We use pitch and stress to communicate the attitude behind the words we’re saying. If I say, “Get out of here!” the tone of my voice will let you know whether I’m literally telling you to leave the room or whether I’m figuratively saying, “You’ve got to be kidding.”

In writing, we must approach tone with care, because it is often and easily misinterpreted. For example, sarcasm is commonly misread in text messaging and on social media. Someone types…

View original post 493 more words

Writing: Scenes for the Senses

Very helpful information.
-Grabbety

Author C. B. Dixon

After writing Wicked Soul Ascension I considered getting my head checked. The settings that I had imagined in my head were twisted and brutal. I dampened them down to let the reader’s mind add in their own details, but that didn’t make them less scary to see, write, and read. The senses of the reader had become a fascination as I attempted to put them right in the midst of the story.

For Wicked Soul Ascension, I felt the settings were everything. They had to be right! Not only did the objects need to be in their places, but the colours had to have a role in the play of emotions. Red, crimson, are colours that I used to bring forward the readers emotions. This colour was obvious. It was the greens and blues that were hidden in corners of the story that brought light into the darker places of…

View original post 402 more words

A LITTLE ABOUT ENDINGS

Fabulous!
-Grabbety

Fantasy Author's Handbook

I’ve written about starting a novel or short story, and what you might need to know or do to get started writing or what elements readers will respond to in the first sentence, paragraph, or page, but I’ve written very little about endings beyond part of some musings on the three act structure in which I dare you to ask: Was it worth it? In that post I said:

These are people, agents and editors, who are accustomed to reading first drafts, and so will be forgiving of typos and whatnot, but not terribly forgiving of flat, lifeless endings. If you’ve convinced one of these busy professionals to read past the first chapter, kept them in over the last 90,000 words or so in the middle, then drop on them a “to be continued in Book II: The Seriesing” or decide that endings are “unrealistic” and…

View original post 1,196 more words